The filmmaker talks about his new project, “Miles Davis: Birth of the Cool,” which explores the musician’s life and impact on Black culture.

Movement founder Tarana Burke: “What has become painfully clear is that the world doesn’t really understand the life cycle of a survivor.”

The announcement coincides with the racial justice activist’s 75th birthday.

“Leaving Neverland,” which revisits two men’s accusations that the artist abused them as boys, has prompted backlash from Jackson’s estate.

The Roger Ebert Fellowship—an initiative from the Sundance Institute and RogerEbert.com—helps rising film critics and artists make the most of the institute’s annual film festival.

Several narrative movies and documentaries about racial justice and identity are set to screen at the festival in 2019.

The ensemble drama, which premiered at Sundance, follows three Brooklynites in the aftermath of a police officer shooting a Black man.  

More impressive than Mimi Valdés and Nina Yang Bongiovi’s (very impressive) film credits is their commitment to storytellers of color.

The filmmaker discusses his new narrative film about gentrification and racism in Oakland in a new interview.

The movie about how a killing affects three New Yorkers of color will debut at Sundance. 

The three short films will examine mass incarceration and cash bail through the eyes of the formerly incarcerated.

At the upcoming Sundance Film Festival, Boots Riley, Daveed Diggs and others will screen dramatic or documentary films that take on criminal justice, labor and other racial equity issues. 

“The Incredible Jessica James” stars Williams as an aspiring playwright alongside “Atlanta’s” Lakeith Stanfield.

Nelson, director of “The Black Panthers: Vanguard of the Revolution,” is back with an intriguing history of HBCUs, “Tell Them We Are Rising.” Here, a day after its Sundance debut, he talks about the triumphs and controversies of these still-essential institutions.

These films will bring issues of racial justice and emergent voices of color to Park City.

In this point/counterpoint about Nate Parker’s buzzy directorial debut, two Black independent filmmakers wrestle with the notion of seeing more chains, whips and nooses on the big screen. 

NYT critic Manohla Dargis created a new test to see if movies are truly inclusive of people of color, and she named it after your fave, Ava DuVernay.

“It’s an exciting time to invite women into this show.”

The hashtag arose after Union expertly addressed Dash’s criticism of Black History Month and BET.