Get into these three major takeaways from a new profile of the prolific YA writer.

This is what it looks like when filmmakers resist Hollywood #SoWhite.

Scholar Edray Goins takes his discipline to task for the ways it erases Black mathematicians.

Dr. Hussein Rashid and comedian Negin Farsad discuss the overlooked ways that Muslims have influenced the United States.

A new article alleges that the social media giant fought criticism by discrediting its opponents. 

“I want to get out there and be the image of the American you don’t think is American, and the Muslim you don’t think of when you think of a Muslim.”

Reggie Ugwu reflects on critically acclaimed movies that center police violence, White supremacy and other racial justice issues for The New York Times.

Some users say the streaming service highlights minor characters of color to get them to watch programming starring White actors. The company says it’s just going by what they’ve watched before.

The celebrated novelist profiled the Oscar-winning filmmaker ahead of the November release of his upcoming film, “If Beale Street Could Talk.”

The 19-year-old actress says an urgent need to challenge White supremacist structures powers her path through the entertainment industry.

“My real name is Loan. And I am just getting started.”

The new Emmy nominee—and longest performer in “SNL” history—discusses his career and the show’s slow work in increasing Black representation in a new profile.

The Korean-Canadian actress recently became the first Asian woman to earn a Lead Actress in a Drama Series nomination, but she doesn’t want the representation conversation to stop with her.

Coker breaks down the themes that rule the show both on and off screen as the second season drops.

The woman behind “Girlfriends” and “Being Mary Jane” on how her new OWN series differs from—and connects to—the Black-cast sitcoms of the 1990s.

The New York Times featured works from Suzan-Lori Parks, David Henry Hwang and other writers of color in a new list of the greatest American plays from the last 25 years.

“The world came to see Ms. Markle as she wants to be seen and, arguably, has always seen herself: as a woman who embraces Blackness as forthrightly and easily as she wears a Givenchy wedding dress and Queen Mary’s diamond tiara.”

The director talked to The New York Times about the contemporary relevance of his film, which follows a Black cop who infiltrated a Ku Klux Klan chapter in the 1970s.

The powerhouse actors talked about their prolific careers and creating opportunities for other Black artists.