Directed by Nia DaCosta, the film tackles gentrification with a horrifying new hook.

Charles Murray wants the audience to see the “Candy Man” singer with new eyes: “Imagine being told you can be just as talented as the others, but you’ll never be equal.”

Producer Nina Yang Bongiovi: “We don’t have to be at the mercy of a green light committee.”

The director will reimagine the opera to “re-locate the characters to a real geography with actual historical and cultural roots.”

“Hair Love” producer Karen Rupert Toliver: “We have a firm belief that representation matters deeply.”

Filmmaker Wanuri Kahiu will bring to life Christina Hammonds Reed’s new YA novel, which follows a Black teenager living in Los Angeles as the world reacts to the crime.